In the 2002 adaptation of Devdas, writer/director Sanjay Leela Bhansali uses melodrama to tell a tragic love story. The film uses elements of melodrama: evocative sets, extensive camerawork, archetypal characters, and an emphasis of extreme human emotions. The film is focused on class conflicts and pride, two themes that feature heavily in classical melodrama. In this article, I plan to analyze class conflicts in the film, especially regarding the four principal female characters: Parvati (Aishwarya Rai), Chandramukhi (Madhuri Dixit), Kaushalya (Smita Jaykar) and Sumitra (Kirron Kher).
Sumitra and Kaushalya, and their subsequent role reversal
These two women are the matriarchs of the film, and their domestic power rules the film. This is the key for melodrama--whereas men often hold the power in westerns, film noir and other genres, the women are the agents of the melodrama. The husbands, Neelkanth and Narayan, may wield power but their cluelessness about what is going on reveals that they rely on their wives. Sumitra and Kaushalya (and other female figures) have the ability to make change in their households.